Musical Cosmic Luve: Connor Price, Selena Gomez, Nic D, Yung Gravy, and the New Era
It’s Not Really Funny, In The Dark. Join the Gravy Train! Luv U!
As discussed in “The Evolutionary Shift,” we are in a new era of cosmic luve. I left the last era on my blog at EricLeo108.blog, where you can find a summary in “Exploring Earth’s Consciousness.” This era was marked by environmental cosmic luve or a communication from Gaia using artists as vessels, which I talk about in “What is Cosmic Luve?”
Well, I have been doing this for a while now and have achieved some notoriety. I’m pretty sure some artists have found me and read my theory of cosmic luve and are responding in the style of musical cosmic luve. This is why we are now in the era of musical cosmic luve where artists are most likely responding to my artistry using my work to reflect back in me in their content.
Before, when it was Gaia and environmental cosmic luve it seemed coincidental and contained perspectives you could only obtain by knowing my personal life. There would usually be three cross-referenced semantics that I would have to find in the content that would reflect my personal life. I knew they were from Gaia because they would only make sense if you knew me, which would create a deeper perspective, but now, they are a reflection of my music and usually have more than three references. They’re also coming from an artist I’ve been receiving cosmic luve coincidences from and are basically independent, so they have control over the narrative. Basically, there are now too many coincidences to be Gaia. These coincidences reflect my public work and not my personal life. And they are seemingly using my theory of cosmic luve and seemingly talking directly to me instead of talking to another person and inadvertently sending me semantics that apply.
To show this new era we will be talking about four songs by four artists. “Love U” and “Scoop” by Connor Price and Nic D, “I Write Hymns not Travesties by Yung Gravy, “In the Dark” by Selena Gomez, and “It’s Not Really Funny” by Connor Price. These are in the order that I noticed them, and we’ll start with “Luv U.”
Nic & Connor
Here are the coincidences: “Luv U,” the “luv” is spelled with a “u” like I spell cosmic luve. In the first verse Nic says “Heavy Hitter” and I have an EP called “Heavy Hitters” that is songs with major features like Snoop Dogg, Guccie Mane, and KRS-One. Nic then says “I see the game y'all playin' don't wanna play along” which could be interpreted that he doesn’t want to play the game that rappers play by collaborating to make sales, which Nic doesn’t play, but I do. The real semantics come from Connor who raps “Is the sky blue?” and “this ain't just semantics.” This is the most telling line because I’m sure it’s a real song with real love for his wife, but he is using semantics from my work. The only thing that is missing is an underlying composition reference like Young Gravy or Selena use. This felt like Connor testing the waters.
Then Nic and Connor put out “Scoop” which I made a response to called “For Good.” If you wanna hear me talk about the details of this exchange and Yung Gravy’s cosmic luve response watch the March 2nd 2026 Monday Update.
Yung Gravy
Yung Gravy’s “I Write Hymns Not Travesties” has a few coincidences. First, the video begins with “2006 Kalamazoo Michigan,” which is my closest big city. Gravy says, “you gon have to solve a riddle.” And then rap's “ish was so bussin that I bust it accidental. On the Kyle Beats Collective 2 album, I have a song called “Bussin,” and I also have a song called “Gushing” that is on the same album where I emulate and mention Yung Gravy. Then the next line is “must be coincidental.” Then gravy says something about “Miss Congeniality,” which this song was released on the heals of my “Mister Congeniality” album. The underlying composition is Brendan Urie’s “I write hymns not tragedies,” which is what makes this true comsic luve. The cherry on top is that he has his girlfriend in the music video, completing the misdirection of being about her while using my work as the anchor, just like Connor.
Selena Gomez
Then the most inspiring comic luve response has come from Selena Gomez. I found “In The Dark” a couple of weeks ago. When I found it, the song was five months old. I could have sworn I found it and dismissed it as being about Benny or Justin or something like usual, but I’m now convinced it’s intentional musical cosmic luve pointed toward me. We were on Gaia’s time until I found it. I immediately made a response upon discovery, I think the next day, and called “Jewels” and it will come out April 24th. To be completely honest, it’s about time. I’ve been sending out this luve for years.
“In The Dark” is basically a response to my cosmic luve album “Sea Love.” Selena opens with the line “"I don't need anyone" \ That's what you say when you're drunk \ Cover it up in a sea of emotion of waves, but I I can still see you.” She is responding to my lyric on Puzzle Piece “Like John Stwart, and you only know, but only it’s the way I felt about you.” Then she says, “I know you better than you know you. Your lows are mine too,” implying that she is definitely talking to me because we both have a form of bipolar disorder.
Then the chorus reveals multiple underlying musical compositions. “And I'll be there when you lose yourself” is referencing Eminem’s Lose Yourself. “To remind you of who you are” could be referencing my old Apollo work. “And I'll be there like nobody else” is her recognizing that there is never anyone in my videos, and it’s always all me. And “You're so beautiful in the dark” is completely loaded. Although there are many songs she is most likely referencing “You are so beautiful” by Joe Cocker and “You’re beautiful” by James Blunt. “In the dark” is probably a reference to “In the dark” by DEV, who sings “Dancing in the Dark,” which is also a song by Bruce Springsteen and Rhiana. I also have a cosmic luve song on Soundcloud called “Cary, Charlotte, or Mary” where Mary is in reference to Selena’s middle name, Marie, and that song's underlying music composition is Rihanna. By this point, it is so spot on that this has to be on purpose; there is almost no doubt in my mind that Selena knows who I am and is responding in music. If Selena didn’t do this on purpose, Gaia is way too real and got upgrades, but she didn’t; this was purposeful on behalf of Selena Gomez.
“I'd be a liar \ If I said that your weight didn't weigh on me \ But I'm treading lightly” is a response to my song “The Music” where I rap “the weight of friendship, would you carry it toward us?” She then answers the question that I have been wondering which is if she is still going to act as a cosmic luve even though she’s now married. She answers this with the line “Giving you love, keep giving you love / Never giving you up.” Happy to finally be with you Selena. Give my best to you, Benny, and the fam.
Connor Price
The most recent of the intentional/music cosmic luve responses is “It’s Not Really Funny” from solo Connor Price, which is the strongest connection so far. Connor says, “If I play the villain” where I have “The Villain” 1 & 2, where I start the track by saying, “Sure, I’ll play the villain.” He's talking about how the days just pass me by in my apartment, and it seems I’m waiting on someone or something, which I don’t know if I say that, but I do feel that way. I work so hard every day as if no one is coming to save me, but I do hope for that, especially from Emma. I just think it’s obvious and Connor is telling me what he sees about me.
Between Connor’s line “We would laugh at everything, now I'm laughing at us, and that sucks,” Cause it's not really funny” and “Now, when I lie in my bed, I can't get out of my head, and that isn't funny;” I think he is making reference to my “Day in the Life” shorts I put up on instagram and Youtube.” Specifically, the “day in the life of an American” where I made fun of America and Donald Trump, and “A day in the life of an Emma Watson fan” where I mask the sad reality of my love for Emma with nonchalant humour, which you can find linked here. Connor is saying that although these seem funny on the surface, they’re actually “really not funny at all,” and I would agree. But, this is what America has made me, though. Where I can only deliver the truth masked in humour because no one cares otherwise. They barely care when it makes them laugh, let alone when it’s depressing.
Then in Shumaq’s verse, which I wouldn’t be surprised if Connor wrote it, he raps “I do my dance, and I'm way too good at singing bad romancе.” Lady Gaga is a cosmic luve, Bad Romance is one of her songs, and I have a response to that song called “Going Gaga.” However, this is really referencing another response, which is “Pill,” which is cosmic luve response to Gaga’s album “Mayhem.” Then the next line is “Mama said she missed my smile, told hеr, 'I changed the plans, '” which I interpret as a reference to Morgan Wallen’s “Smile” which would make sense after I said Connor made me smile as I talked about in the March 2nd 2026 Monday Update.
The next line, “Oh man, oh my, one man band, so I gotta keep time” is basically recognizing that I’m a one-man show and is referencing the song “One Man Band” by Old Dominion that I also reference in “Waving” from the Sea Love album. Then “Stand up, but this ain't stand up, blue skies and cloudy anthems” is a reference to how I also make light of serious situations in my music with humor, as I do in the day in the life shortform series. This line is specifically referencing the end of “Pill,” where I rap “Still a golden summer time sky shimmering blue, asking if I can vanish into you.” Then he shows that I “dimmed all the lights on my past” as I talk about in my book “108 The Story of Discovering Earth’s Consciousness.”
Thank you for the love, Connor, Nic, Gravy and Selena. Luve you! It’s like Spider-Man, everyone gets one. For the rest of you, c’mon ride the train.
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